is determined to prosecute the hit-and-run as a hate crime as well as a negligent homicide. Their investigation leads them to a possible witness, a Catholic school girl named Nadine (Nadia Alexander), who’s addicted to heroin and turns tricks to support her habit. Harper (Clare-Hope Ashitey) partners up with recently divorced internal affairs detective Joe “Fish” Rinaldi (Michael Mosley) to solve the crime. An assistant prosecutor and alcoholic screwup named K.J. It shatters the lives of Brenton’s churchgoing parents, Latrice (Regina King) and Isaiah (Russell Hornsby), and his uncle, Seth (Zackary Momoh), a former gangbanger who just got out of the Air Force. What ensues is a cover-up that’s as cynical as it is stupid. There’s an element of racial resentment here, too: They’re convinced that, in the era of Black Lives Matter, the whole department will take an unjustified public-relations hit if news gets out that a white cop ran over a black teen, even though Peter didn’t mean to hit him. The plain fact is that Peter is one of theirs, period, and they don’t want his life to be destroyed for what they perceive as a stroke of bad luck. ![]() The men will later argue that they thought the boy was already dead - as if that excuses their behavior. Instead of officially reporting the accident, Peter phones his supervisor on the drug task force, Mike Diangelo (David Lyons), who arrives at the scene with Jablonski’s two colleagues, Felix Osorio (Raúl Castillo) and Gary Wilcox (Patrick Murney), and instantly conspires to erase the crime. The title describes the span of time in which Jersey City police officer Peter Jablonski (Beau Knapp) could’ve done the right thing after running over a teenage cyclist, Brenton Butler, in a snowy park while rushing to attend the birth of his first child. The unaffected emotion in every lead performance saves the bad scenes and elevates the good ones, and the overall spirit of the thing is unimpeachable. It’s not the best or the worst of the lot, but at its most intelligent and heartfelt, it generates empathy for its characters, sadness at the culture that shaped them, and anger at the institutions that protect the worst among them. He is repped by Innovative Artists and Kieran Maguire at The Arlook Group.Seven Seconds, the new Netflix drama about crooked cops covering up a hit-and-run accident and investigators trying to punish them, is another TV series about how a murder affects a community. He also was a series regular on the upcoming first season of BET’s First Wives Club. Yoba was a series regular on Fox’s Empire and has recurred on CBS’ God Friended Me, TBS’ T he Last O.G., and ABC’s Designated Survivor. The pilot will begin filming in early March in New York. The project is produced by Wolf Films, Universal TV where the company is based, and ABC Studios. Wolf, Watkins and Hemingway executive produce with Wolf Films’ Arthur Forney and Peter Jankowski. It will follow detectives Nat Gilmore and Melissa Ortiz as they investigate the city’s most dangerous criminals from Harlem to Battery Park. Some cast members from the original series are expected to reprise their roles. Written by Watkins based on a story by Wolf and him, New York Undercover picks up 20 years after the end of the original series that changed the face of TV cop dramas. New York Undercover bringing back Yoba is similar to the move by another 2019 ABC pilot that reboots a 1990s New York cop drama in present day, NYPD Blue, which recruited original cast members Kim Delaney and Bill Brochtrup. Starring Yoba and Michael DeLorenzo as two undercover detectives in New York City’s Fourth Precinct, New York Undercover was the first police drama on American television to feature two people of color in starring roles. In addition to leading the cast, he was the only cast member to appear in all four seasons of the show’s run on Fox. ![]() Yoba was at the heart of the original series. ![]() In the followup, Williams is now overseeing the unit and the next generation of detectives.
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